Catherine Hall’s 2012 Resolutions for Photographers
5 Tips for Magnetic Engagement Sessions
Don’t miss a chance to watch or listen to your favorite photographers – download the TWiT Photo podcast on iTunes for free :)
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Jerry Ghionis is recognized as one of top wedding and portrait photographers worldwide. He spills the light on how he creates and captures emotional scenes at a wedding. Not only has Jerry won the WPPI wedding album of the year seven times, he was also named the 2011 Australian Wedding Photographer of the Year by the Australian Institute of Professional Photography (AIPP). Jerry then shows us how to use available light in a photo shoot with Catherine!
Here are Jerry’s top tips and a few images from his inspiring portfolio:
1 Shoot for the wedding album.


2 Photography is more about communication than it is about technique.


3 Never forgo the fine art of lighting and posing.


Find out more by watching the video here or on iTunes. Next week: Travel photographer and Google+ superstar Trey Ratcliff. Have questions, suggestions or praises? Please email photo@twit.tv.
10 Questions To Help You Write a Media Pitch
Guest Posts
0
Wed 02.15.2012
Publicist and brand builder Elena Verlee is one of Forbes Magazine’s “20 Women for Entrepreneurs to Follow on Twitter,” holds the distinction of an All Facebook “10 Facebook Pages Every PR Professional Should Be Reading” and is a Visa Business Network Syndicate. Whew! When she’s not racking up limelight honors, she manages the high-growth and technology PR agency Cross Border Communications, which services the UK, Canada and the US, and maintains the irresistible PR in Your Pajamas, a blog that focuses on equipping smaller-budget entrepreneurs and businesses with do-it-yourself marketing savvy and know-how. In this guest post, Elena talks about how entrepreneurs (who, like most of us in the photography industry, probably never studied writing) can craft on-target media pitches to maximize exposure for their business. Here are her top 10 most vital tips for DIY marketing magic!
Follow Elena Verlee on Twitter.
Post by Elena Verlee.
I have friends whose big dream is to sequester themselves and write a book. Although I like to write, it’s not something I dream of doing day in and day out. I don’t like sitting in front of a blank page, but I do know that once I get an idea and get started, things usually flow.
Most entrepreneurs I know are not writers. You started your business because your passion and natural gifts are in a particular space.
Most entrepreneurs I know didn’t realize how much marketing they would need to do in order to succeed. And that effective writing- from websites to sales materials, direct mail to blog posts – will be a crucial part of you getting heard above the noise.
If you’re doing your own PR, writing a media pitch can be downright intimidating. I know it’s hard to sit down to a blank piece of paper. So I’m sharing with you some questions I ask our clients, in order to help your creative juices flow and create a compelling media story.
1. What does your company do?
This is something that you must be able to communicate with ease. This is your elevator pitch and the two or three sentences that you use every day, that clearly introduces your company.
2. Why did you start a company?
Being an entrepreneur can be hard work. Where did the motivation, inspiration and drive to start your business come from? Or, is there something funny or accidental about how you got started?
3. What makes your product or service offering different or unique?
I’ll be honest that I think almost nothing is really new. Right? But there is something in how you offer it and how you present it and how you market it that is going to be unique just to you. Find out what that is and tell the world about it.
4. What’s the pricing and how is it available?
Please, do make it easy for the reporter to communicate how customers can buy from you!
5. What makes you uniquely qualified to be successful with this company?
People buy from people so it’s really compelling that you figure out, “What is your story?” What’s your relevant background or experience that can allow your potential market to connect with you? What have you done in the past that has given you the skills or knowledge to create your product or service? What kind of awards have you won that establishes you as a particular expert in your field?
6. Who is using or could use your product and service right now?
This is about being really clear about your target market and it might seem like common sense. Which is why most people tend to leave it out when they’re pitching to media. Don’t assume it will be clear to a reporter who has never met you and never heard about you.
7. How will your product or service make your customers’ lives easier?
You need to make people’s lives easier, whatever it is you’re offering. There is a pain point that someone in your target market is having and your product or service is meeting that need. So, communicate that clearly because if the editor doesn’t understand why their readership should care, then they’re not going to be interested in writing a story about you.
8. If you could make three points about your company, product or service, what would it be?
Think of the three most important points you want somebody to come away with. The answer to this question alone is an entire media pitch.
9. Do you have an approved customer testimonial you can use in your marketing?
Obviously, testimonials carry a lot of weight or at least show that your product, service or offering is real. You can check out a post I’ve written on How to Get Testimonials if you need some.
10. My favorite question – What’s the boldest, most outrageous or provocative statement you’re willing to make?
I love this question because this is the question that’s going to make you stand out. You know, if you’re going to be doing your own PR , you need to believe in yourself and believe in your company and make a claim that you know is true…but are afraid makes you sound self-promoting.
If you don’t do it, someone else will make a stand for what they believe and what they’re passionate about, what they think the potential of their product or service could be and THEY will get the press and the sales.
I just want to share a quote from Michael Jordan which I found really interesting. He was asked how much he bets on golf. And he says, “Whatever makes me nervous.”
So I want to challenge all of you to be nervous about stepping out and getting buzz for your business. Being nervous just means you’ve stepped out of your comfort zone and are growing.
Make sure when you’re writing your media pitch, to get on the edge. Get on the edge of what you want to say and take a stronger stand for what you believe in.
Those are the stories worth writing about.
In a fast-paced, every-second-counts environment – such as a wedding – I often prefer using a continuous light source. No light meters, excessive gear, etc. to slow me down when I don’t have the luxury of time.
In the image of this gorgeous groom, which Grace Ormonde ran on its title page, my continuous light source allowed me to capture my subject before he hurried off to his wedding reception at the stunning Viansa Winery.
With that said, portable hot lights, though more mobile then my studio strobes, have not always impressed me – short battery life, external heavy battery packs, and harsh quality of light have often caused major frustration. But the game is changing…
Jerry Ghionis is coming out with his new Ice Light which will definitely become a go-to item in my arsenal. It’s slim profile, lightweight portability, and diffused quality of light are something to be very excited for. Plus, Jerry designed it so – it has to be good. Another bonus? It comes with five gel packs to enhance the cool or warm effect of its illumination.
Don’t miss a chance to watch or listen to your favorite photographers – download the TWiT Photo podcast on iTunes for free :)
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It’s hard not to want to hate Robby Cavanaugh – fresh out of school, the SoCal boy has already been published in Vogue Italia, won a bunch of awards, and now has another notch in his belt as our first TWiT Photo Guest Quest winner. Yet, Robby’s incredibly down-to-earth and just has a natural artistic talent. Joining us live in the studio, the fine art photographer comes clean about Photoshop in his “phantasmagorical” images and achieving artistic excellence with very, very little gear, and lots and lots of perseverance and perspiration. Judges Zack Arias and Tamara Lackey crack the whip on the portfolios of Guest Quest winners, and give invaluable advice to contest aspirants.
Here are Robby’s top tips and a few images from his inspiring portfolio:
1 If you can think it, it can be done.
2 Be vulnerable and honest with your work.
3 Photoshop is not a dirty word, but it can be


Find out more by watching the video here or on iTunes. Next week: Fine art wedding photographer Jerry Ghionis introduces his new Ice Light. Have questions, suggestions or praises? Please email photo@twit.tv.
WPPI 2012 Las Vegas Itinerary
Featured Post, Out + About
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Tue 02.07.2012
My tough-as-nails schedule often keeps me tethered to my studio until the wee hours of the morning. My social life (or lack thereof) has seriously taken a hit due to the demands of being a serious creative and entrepreneur.
WPPI’s convention in Vegas seamlessly blends my joint passion for hard work and hard partying (finally, I can get out!)—I don’t care if it sounds cliché, it’s 100-percent true. The whole affair is teeming with photographers just crazy enough to throw every ounce of their passion into growing their business. WPPI is where like minds can join forces to collaborate, inspire one another and, yes, talk shop over a stiff martini with two olives. In fact, it’s our inalienable right.
Below, scope out all the highlights of my planned itinerary at WPPI 2012, with highlights including my Platform Class on savvy use of social media, two days of judging, a special TWiT Photo Episode, and plenty of free evenings for indulgence in my aforementioned elixir of choice. Business and pleasure, if you’re doing it right, always join forces.
Many of WPPI’s Platform Classes are going to fill up quickly. I encourage you to act fast! Register via Pre-Board here.
FRIDAY Feb. 17: Hello, Vegas
I’m leaving my man behind this WPPI go-round and instead heading toward Sin City with my best friend and fellow photographer Melissa Slater. We’re sharing a suite at MGM’s Signature Towers (a WPPI hotel hot-spot), where we scored a sweet deal on a suite through booking.com, with rates that are often better than even a normal room, it’s a no brainer.
SATURDAY Feb. 18: Hello, Judges
I’ll be hunkered down from 8.30 a.m.-5.30 p.m. on the third floor of the MGM Grand Conference Center, where I belong to the WPPI 16×20 Print and Album Competition panel of five judges, all expert photographers from a diverse range of fields. Our process is open to the public, and I invite you to attend—whether or not you are entered. Why? Listening to a group of seasoned experts deconstructing an image in a highly focused, meaningful way is incredibly illuminating and instructive for the evolution of your own work.
SUNDAY Feb. 19: Hello, Students
I’m particularly excited to teach an Epson-sponsored Platform Class from 12.00pm-2.00pm. It’s called “Carpe Diem through Social Media” and it’s all about maximizing exposure for your art and your business with smart, savvy social-media application. Learn how to rise above white-noise chatter and meaningfully engage with a targeted audience to achieve substantial, lasting results. I’ll also share my strategy for capitalizing on photo-sharing communities like 500px and Flickr, while ensuring your copyrights stay in-check. Plus, there will be door prizes aplenty, from my favorite companies such as Lowepro, Datacolor, NIK Software, and Triple Scoop Music. PS: Sunday is also my second day of judging—I’ll just be sneaking away to teach my class and heading right back into the fray.
MONDAY Feb. 20: Hello, Strangers
I’ll spend my day off wandering the vast halls of WPPI. If you see me, flag me down and say hello. I’d love to meet and/or catch-up with you!
TUESDAY Feb. 21: Hello, TWiT Photo
By day, I wander; by night, specifically at 6.00pm at the Skyloft, I’m moderating a WPPI-exclusive TWiT Photo panel discussion with eight notable photographers, including heavy hitters Jeremy Cowart, Skip Cohen, Greg Gibson, Lindsey Adler, Sue Bryce, Jerry Ghionis, Tamara Lackey, and Dane Sanders. Our discussion will be broadcast on TWiT Photo the next week and subsequently available for free download on iTunes. Joy! (And, perhaps, a martini nightcap.)
Can’t wait to see all of you there!
xoxo,
Cath
San Francisco’s famed Julia Morgan Ballroom – a study in timeless architectural beauty and unassailable elegance – is the backdrop for this image. Last year, I was generously invited to use this opulent ballroom as the site for a photo project, in which I recreated the unique glamor of Old Hollywood. Here, a model in period wardrobe peers out the window, her vision assisted by the use of Galilean binoculars.
Powerful images engender an enduring effect not just because of their sheer technical mastery or absolute beauty, but more so because the photograph tells a story. A pretty model might be nice or interesting for a viewer to look at, but unless something about her compels the viewer to ask questions – in this case, “What is she searching for?” or “What does she see?” – the image is ultimately forgettable. Through the use of this prop, these history- and class-laden Galilean binoculars, the model invites a slew of questions that provoke the viewer to engage the photograph as a story whose conclusion they’re dying to discover.
Don’t miss a chance to watch or listen to your favorite photographers – download the TWiT Photo podcast on iTunes for free :)
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The question on everyone’s mind must be: what hasn’t David Bergman done? With 11 covers for Sports Illustrated, including the coveted 2010 Super Bowl, and his distinction as official tour photographer for Bon Jovi, David gets a lot of game. He joins us live in the TWiT studio to discuss his now-famous GigaPan shot of Obama’s inauguration and shows viewers how he processes 600 frames of a GigaPan shot in a live software demo. Also, the music geek shares inside secrets on being a successful music tour photographer, and you won’t want to miss the moment he shocks Leo and me with his gigantic, $10G+ bazooka 600mm F4 Nikon lens.

Here are Dave’s top tips:
1. Visualize the photo you want to make.


2. Shoot details.

3. Learn how to light a portrait.


Find out more by watching the video here or on iTunes. Next week: TWiT Photo Guest Quest winner Robby Cavanaugh, along with a surprise! Have questions, suggestions or praises? Please email photo@twit.tv.
Excellence Is In The Margins
Guest Posts
2
Wed 02.01.2012
Photographer and writer Guy Tal rises above the white-noise chatter of the blogosphere with his deeply subtle, radically humane reflections on artistic inspiration. Guy approaches life with a unique-order joie de vivre, and as a photographer, his landscape images lend vibrant and fresh energy into the medium. As a writer about the craft of photography, his profoundly philosophical and measured meditations stir my soul. It’s with great excitement that I present to you Guy’s guest contribution — in this moving, incisive essay, he explores why artists create and, alternatively, why we create excuses for our perceived imperfections. Ego and insecurity have no place in our lives, they are but self-fabricated delusions that only interfere with what’s really important in life: quality experiences endowed with truth and meaning.
Follow Guy Tal on Twitter.

Post by Guy Tal. Image by David Fantle
The artist is nothing without the gift, but the gift is nothing without work.
–Emile Zola
Ever wonder what makes one image “better” than another? In some cases it may be obvious – one may have more compelling subject matter, another might suffer from poor technique, some benefit from fortuitous circumstances (“same place, but with a rainbow on top”) etc. Still, most of these can be canceled out through practice or luck. There is still that “something,” though — that elusive “je ne sais quoi” — that sets off great from good. It is why some can produce great work more consistently than others, even working in the same medium and with the same subjects and using the same tools.
More often than not, the difference comes to something very basic: excellence requires hard work. Those who choose the comfort of motorized access will never have the same selection of locations as those willing to trek on and off the trails. Those who prefer automation to manual control will always be at the mercy of little electronic brains. Those who prefer to work light and fast will rarely produce the same compositional balance and attention to nuances as those who take their time to study, consider, and experiment. Those who are naive enough to believe that clicking the shutter button in the right place at the right time is all it takes to make a great photograph will not benefit from the same versatility of those willing to spend the time studying, and fine-tuning every last pixel in post-processing.
As Thomas Edison put it: genius is one percent inspiration and ninety-nine percent perspiration. In practically every case the better image is a result of more hard labor: more sore muscles, more heavy lifting, more shivering, more sweating, more bleeding, more discomfort, and yes – more posterior-numbing time spent staring at a screen. Better images are almost always the result of commitment and an obsessive drive, of a self-critical state of mind that just won’t settle for “good enough”.
As with so many other things, the law of diminishing returns is very much at play. With some practice, the vast majority of people can consistently make good images. The jump from “good” to “very good” is a steep one, and the one from “very good” to “great” a hundred times so. When you’re close to the edge even small gains come at great cost. That tiny margin at the very height of the game is what excellence is made of. Equipment will only get you so far, even opportunity and vision will only get you so far. That last percentage point is all about you and how far you’re willing to push yourself.
There may come a day when technology allows for visualization, or seeing the finished image in one’s “mind’s eye,” to translate instantly into a great work of art, bypassing laborious trekking, camera controls, and post-processing. Until then, take a long hard look at just how far you’re willing to go for your art. Just how passionate you are, and how much you’re willing to sacrifice.
Call me cynical but when someone protests about the “other guy” having better gear, or using Photoshop, or having more time, I hear excuses. Most of us are fortunate to live in times of opportunity, where our basic needs are met, where information and education are readily available, where almost anyone can do almost anything if they want it badly enough.
Want to explore and experience wild natural beauty but are not comfortable hiking, backpacking, or camping? Get comfortable!
Think your images don’t live up to their potential because you’re not good with Photoshop? Get good!
Want to spend more time outdoors but can’t because of work, or because of where you live? Don’t take the time – make the time!
Passion and hard work and risk and personal sacrifice transform into results. Excuses remain excuses.
Wolfie, a teenage basketball buff and the son of famed NYC-based interior architects Cortney and Robert Novogratz, of Sixx Design and popular reality show Home By Novogratz on HGTV. Last year, I did a 3-day East Coast residency with the family, documenting behind-the-scenes images of this very-cosmopolitan, 10-person clan.
With Wolfie, as with any athlete, the linchpin of capturing a striking, catch-you-off-guard image is the use of dramatic lighting. It accentuates the musculature of the human form, with light wrapping around the limbs to create eye-riveting shadow. Photographer Rick Sammon puts it best: “Light illuminates and shadows define.” For this particular portrait, I began the shoot with lots of complicated light rigging, and then completely cast-off the set-up as ultimately needless. In the end, the simplest set-up – in this case, a Profoto head with medium Chimera softbox was placed at a 45-degree angle on the right side and a white reflector on his left side –produced the Rembrandt-like effect you see here.
TWiT Photo Ep. 41: On the Front Lines with Ron Haviv
TWiT Photo
0
Fri 01.27.2012
Don’t miss a chance to watch or listen to your favorite photographers – download the TWiT Photo podcast on iTunes for free :)
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All of us, in our own small way, carry out heroic acts in our daily lives – sometimes, even just waking up in the morning and venturing forth into the world takes courage. Photojournalist Ron Haviv, this week’s TWiT Photo guest, however operates on a completely different playing field than most of us. From his exclusive coverage of the civil war in Yugoslavia to the genocide in Darfur, Ron has made it his life’s work to document conflict zones — often in areas of the world that are despicably brutal and violent — in order to educate others about social inequity and abuses of human rights. Watch the video to hear Ron discuss gaining access into conflict zones, being taken prisoner 3 times in the line of duty, and decompressing after an intense assignment.
Here are Ron’s top tips:
1. Research your stories.
2. Prepare for a multi-platform end result.
3. Use your aesthetics to create a bond with the viewer and the image.
Find out more by watching the video here or on iTunes. Next week: Action photographer David Bergman.
Have questions, suggestions or praises? Please email photo@twit.tv.






















