Archive for 2012
I’m sure many of you are going to be taking snapshots in continuous mode of the glorious display of fireworks. It’s one of my favorite holidays and I’ll be hanging with the beautiful Petra Cross on a nice hike in North Berkeley! I wish to leave you with a wonderful article on 10 tips for shooting fireworks displays by Michael Zhang. Michael runs the wildly popular PetaPixel blog, geared toward tech-savvy digital photogs of the Web 2.0 generation. As a professional photographer, I’m so edified by the growing number of photography enthusiasts and we probably have great photography resources, such as PetaPixel, to thank for the explosion of interest. Happy Fourth of July, everyone!
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Post + Photo By Michael Zhang of Petapixel
Monday is the 4th of July, which means there’s going to be FIREWORKS! Huzzah! It also means a lot of photography blogs will be posting tips and advice on shooting these firework shows. Instead of posting some ordinary article with things I’ve learned, I decided to ask for tips from my Twitter friends. Let’s get started!
Stabilize Your Shot
tripod, cable release and a bit of trial and error…
Use mirror lock up, use a remote shutter release, and, most important, bring a flashlight!
Since you’ll be photographing at relatively slow shutter speeds, a tripod is definitely important. You’ll be pointing the camera up at the sky, so you probably won’t be able to find anything to set the camera down on that will suffice if you don’t bring a tripod.
A cable release will allow you to avoid any blur caused by your finger pressing the shutter. The longer the exposure, the less this initial shake of the camera will matter, but having a cable release is still very helpful. You can get one for as little as $5 (shipping included) on eBay for either Canon or Nikon.
Finally, you can further reduce blur by using the mirror lock up feature of your camera if it has one (Perhaps Google it to find out?). What this does is cause the first press of your shutter to lock up the mirror of your DSLR, and allows the second press to take the photograph with only the shutter curtains opening and closing. This avoids the swing of the mirror that occurs when you normally take photos, reducing any blur that would have been caused by it.
Instead of having your photo turn out like this,
you can end up with clearer, sharper shots like this:
Fireworks look better in a context – just air as the background is boring – Get foreground; Try to be upwind of the launch site
My favorite fireworks-shots I’ve taken have all had people in them, holding very still. I like working with the silhouettes.
I’ve definitely found these things to be true as well. You can take really nice looking photographs of fireworks against the dark backdrop of the sky, or you can include things in the foreground, especially silhouettes of the people watching, to make the photograph a lot more unique and interesting.
Shoot a Lot
Persistance. Accept that to get 1 decent shot, you are gonna shoot 100 crap ones.
Definitely true. Out of the hundreds of photographs I’ve taken at firework displays, only a handful of them turned out well. The others were either poorly framed, poorly exposed, poorly timed, or all of the above. Thus, shoot as much as you can to increase the chances that you’ll end up with a good shot. To do this, it would be wise to bring as many memory cards as you possibly can.
Set and Forget
bring a tripod, find steady ground, shoot shutter and use a remote release. Shoot a pic or two before the start to check settings
shoot without looking through the viewfinder after you have made all the necessary settings on the camera
If you’re intent on leaving the show with a good photograph, then go ahead and shoot the show like you would shoot any night shot. On the other hand, if you’d like to enjoy the show as well, figure out the settings you need to use, take some test shots, and from there on out just enjoy the show and snap shots using the remote shutter release. Here’s a photograph that I took with a 10 second exposure and a remote release while watching the show at the Butchart Gardens in Canada:
If you DO end up shooting through the viewfinder, you’ll probably want to shoot with both eyes open in order to see when the fireworks are launched and the path they’re following.
ohhh yeah bring a monopod too to prod people outta the shot..
Haha. I’ve never had to do this one before. Maybe it might come in handy for some of you though.
Unconventional Focus Trick
For unconventional advice, change the focus while shooting to get focus-to-blur effects.
Now this is interesting, and not something I’ve done before. During the exposure of the shot, manually throw the shot out of focus to end up with an creative and interesting effect. Here’s the example that @dhavatar provided:
tripod and remote trigger. Use bulb to time the shots. Leave shutter open until the series of fw is over. Repeat process :)
fireworks, you hv 2 learn how to predict when firewrk will explode. I use bulb mode and expose for duration of burst, no longer.
The “bulb” setting on your camera allows you to determine how long the shutter stays open rather than having it expose based on a fixed amount of time. You can press and hold the shutter when a series of fireworks are launched, and then release to close the shutter after the series ends.
Cover the Lens in Between Fireworks
If it hasn’t already been said, put the camera on bulb setting so the shutter remains open and use a hat or something dark to cover the lens between bursts.
a longish exposure f8 for 1/4 sec will show nice trails – needs good timing. Use a tripod. or set cam to bulb on tripod, cover lens w black card press shutter.Remove & replace card to get multi-fworks trail. Press to end
If you’re not including things in the foreground, you might want to cover up your lens between firework bursts to prevent ambient light from adversely affecting your shot.
Using Light Creatively
Sparklers + long exposure = great portrait opportunity. Also light painting.
An interesting thing to do during firework shows is to turn your back on the fireworks and capture the expressions of the people watching, using the brief flash of the firework to expose the image.
This sparkler and light painting idea is pretty great. Imagine a photograph of a firework exploding in the background while your friend holds a sparkler or writes a message with lightin the foreground. That would be pretty epic. Be sure to let me know if you end up with a photo like this!
Use Optimal Camera Settings
bulb mode with external shutter release. just make sure your aperture and focus are set correctly before shooting.
So what ARE the settings you should be using for this kind of photography?
ISO: You’ll probably want to use the lowest you can, which is most likely 100. Going with a high ISO will introduce a lot of noise in your photo, which is something you definitely want to avoid when taking long-exposure night shots.
Aperture: If you’re shooting just the fireworks, it will probably help to go mid to high (f/8-f/22). You don’t want any depth of field or the lack of sharpness that comes from lower apertures. If you’re taking portraits with fireworks in the background, then you might want to go lower to throw the fireworks out of focus.
Shutter Speed: This really depends on the type of look you’re trying to achieve. If you use a relatively fast shutter speed, your firework might look like this (this is 1/400 of a second):
Use a slower shutter speed, and you might end up with something more like this:
Focus: Since the fireworks are exploding pretty far away from you, set your focus on infinity and change it to manual. You don’t need the camera attempting to focus on the fireworks, since you know what it should be focusing on already.
Focal Length: This really depends on many factors, such as where you’re sitting and how much of the sky the fireworks take up. Generally I’ve found that it’s safer to go wide, since you can always crop afterwards if you capture too much sky. If the lens you bring isn’t wide enough, you might be fiddling around with the framing all night.
Modes: In general, try to stay away from automatic modes. This means setting both your exposure and focus to manual. This allows you to determine the correct settings for your photographs and have your camera come up with consistent shots. You don’t want the camera to try and figure out the proper exposure for each shot, since it’s not a situation where a camera excels at determining the proper way to expose.
Good luck shooting on Monday!
You have that favorite chair at home, don’t you? You know, the one where you can prop your feet up, and just vege in front of the TV or take a power nap? It’s a little worn, but it’s too comfy to get rid of, and you feel at home in it. Have you checked under the cushion for change lately?
Most photographers have that same comfort zone when it comes to shooting. We gravitate towards our favorite lens, aperture, perspective, lighting, the list goes on. While not neccesarily bad, it may be keeping you from growing to your potential and inspired. I always start out with my “comfy” shot, and change things up until I get the rushing feeling of inspiration and inner voice screaming…”I nailed it!”.
In the below before & after check out the reward of moving beyond my comfort zone. In the before shot I walked up to the scene, digested it, and began shooting in my comfort zone. I am not ashamed to admit it – the resulting image is not good (bad, really). The top of the wall cuts off the brides head, the frontal perspective is flat and uninteresting, and the lack of detail in the sky is boring.
So I made a few adjustments -
- Got higher which: kept her head below the wall, took advantage of the interesting background and gave me a more flattering perspective
- Moved to the side to get better light and angle on her face.
- Changed from 24mm to 150mm for more flattering compression
- Retouched the image
Just like under the cushion – you need to find the change. Change lens length, shoot from up high, shoot from down low, high key, low key, change the aperture, long exposure, short exposure. If your gut is telling you there is a great shot to be had, listen and go and find it. Don’t settle for the capturing the scene at face value or falling into the trap of producing the expected. Experiment, play, and have fun!
Have you ever wanted to see behind the scenes at TWiT Studios? Check out the fantastic stop motion video that Petra Cross shot while a guest on TWiT Photo. Some of the images she shot during the filming! Yes Leo, our dance will live on forever!
Thank you Joseph Linaschke for reviewing the improvements in Aperture 3.3 – faster imports, improved auto-white balance function, all new highlight/shadows performance. Aria Haghighi was also kind enough to talk about Prismatic and how it can streamline consuming relevant news.
Petra shared some great tips on how to get better shots of people and how to make really interesting stop-motion videos:
Tip#1: Understand people’s faces. Everyone has a good side and a bad side. Do they have a prominent nose? Avoid profile shots, shoot from above the person to avoid unwanted shadows and double chins.
Tip#2: For stop motion videos shoot LOTS and LOTS of photos. Aim to have about 2,000 usable photos! So shoot much more!!
Tip#3: Shoot while you are travelling to your destination – planes, trains, automobiles! All show that you are going somewhere exotic and far away!
For more detailed instructions from Petra see our interview with her below and check out her website here
Don’t miss a chance to watch or listen to your favorite photographers – download the TWiT Photo podcast on iTunes for free :)
Have questions, suggestions or praises? Please connect with us on the TWiT Photo Forum.
When I first saw this man, I knew I wanted to photograph him. He has so much character in his face, such stories to tell, you just want to sit down and have a beer with him and listen to his tales.
But when I asked, he said no.
I asked again.
He said no.
I strategically moved on and shot other people around him. He watched me. He became intrigued with my process. Eventually he came back to me and asked me to shoot him too.
There are many ways to convince someone to let you photograph them. Sometimes you need to spend a lot of time talking to them, sometimes they need to see your portfolio, sometimes charm; every person reacts differently. But no matter what, if it’s a subject that you really want to capture, be Persistant. If one method does not work, try another one. As long as you are genuine and respectful in what you say, that person will usually come around. In this case I did not need to go back and ask. By demonstrating my approach with others I earned his trust.
Are you a new photographer just starting your business? Are you a seasoned veteran looking to stay current with techniques and technology? Need new friends and contacts? Then Skip’s Summer School is the place for you! This year’s schedule is expanded and better than ever. There are 7 interactive programs to select from, or if you prefer a 2 day film-making class. Class sizes are limited to 20 students to ensure a quality learning experience.
In addition to the smaller classes, there are 3 evening sessions open for all attendees:
- Skip Cohen and Melissa Ghionis talk about the sometimes forgotten skill of great Customer Service. The easiest way to solve problems is to avoid them in the first place.
- Monday evening I’ll be showing how to develop a marketing plan to meet your business goals. Photography isn’t like Field of Dreams, you can’t just set up shop and expect the masses to show up to hire you.
- Are you looking for information and tips on getting your photos published? There’s a session for that too! Resource Magazine will be on hand to relate what publishers are looking for.
- Bob and Dawn Davis, Kevin and Clare Kubota and Vicki and Jed Taufer talk about a new trend – working with your spouse. These three couples have learned how to make it work, both personally and professionally.
- Sal Cincotta wraps up with the closing program discussing the importance of remembering that your photography is a business too.
Check out the great video from last year’s School and Scott’s website for more information and registration.
I hope to see you there!