Exciting things are afoot for Catherine Hall Studios! Look out for the latest news and announcements on Catherine’s editorial work, events, awards, causes, partners and more.
From The Studio
Fabulous Flowers & More! | Destination Weddings
From The Studio, Press
0
Tue 02.22.2011
I just had to share the delicious Real Weddings spread in the Special 2011 issue of Destination Weddings & Honeymoons with my brides. Six pages of gorgeous snapshots of Fun-Loving Friends letting loose, sweethearts sharing a loving kiss in Magical Moments, creative reception themes in Stunning Soirees, delectable yet artistic designer Couture Cakes on real wedding days. Of course, my favorite has to be the Fabulous Flowers, because it features my photography! Hint: There’s a touch of fruity!
A Picture of Grace | Wedding Style
From The Studio, Press
1
Thu 02.17.2011
When I first forayed into wedding photography, one name kept popping up over and over again in industry circles. Grace Ormonde. The exotic name conjured up the image of a glamorous filmstar of yonder such as Hedy Lamarr or Marlene Dietrich, and although I knew that Grace Ormonde Wedding Style is one of the top wedding magazines worldwide, I didn’t realize at the time that Grace Ormonde is a real person!
Earlier in my career, as a fresh face in the already crowded industry, I knew I had to learn the ropes, the ins and outs, and get my work to the right people. Being selected for publication by Grace Ormonde, Editor-in-Chief of Wedding Style magazine, was a dream come true for me. I photographed an engagement session in New York in the style of the 1940s and the final product was amazing. So I sent a package of the engagement session prints to Grace and waited eagerly for a reply. Not only did I get a reply, I was blown away when I heard that my images inspired a special feature on engagement sessions. That first piece of success led to even more of my work being published in the magazine over the years.
Last year, after countless faceless exchanges with Grace, I finally put a face – and a handshake – to the name. For those who have never met her, you might think someone of her stature and position might be a diva. In an earlier blogpost, I affirmed that Grace Ormonde is not a diva. In fact, she is the complete opposite – she is truly kind, engaging, down-to-earth and sincere. No airs.
I’ve been so fortunate to have Grace as a supporter of my work. Case in point: her recent publication of my wonderful story of my generous gift (an exquisite Vera Wang gown) from client Alyssa Fanelli-Benza as well as countless selections in WeddingStylemagazine.com‘s Inspirational Galleries.
Thank you, my friend. I thank you personally for contributing to the success of my studio and the recognition of my work.
Read my wonderful story of how I received a Vera Wang gown from a gracious and generous client here or in the text below.
Finding Her Dream Dress
Without a Ring
Many of you may know Catherine Hall: the New York transplant photographer now living in San Francisco, but most of you don’t know what she hanging in her closet.
This self-proclaimed geek, whom I consider to have a very endearing personality and incredible eye, first came to my attention in 2007 when she submitted an engagement shoot evocative of the 1940s that was so compelling it inspired a story in the 2008 issue of Wedding Style New England. Over time she has sent me countless submissions that have resulted in miscellaneous picks of my favorite images in random nooks of the magazine, as well as selections featured in our inspiration galleries (which we are in the process of launching new sections daily).
Most recently, after meeting Catherine in person at WPPI last year, she sent me an oversized package complete with 11×13 prints (yes, real hard copy photos) and a letter that made me want to share her story about Manhattan bride Alyssa Fanelli and her Vera Wang wedding gown.
And here is Catherine’s story:
Alyssa is a bright-eyed Italian with effortless elegance and formidable intelligence. She planned a sumptuous outdoor ceremony in Yountville, located in California’s wine country–a town so quaint there’s not even a gas sation. I attended Alyssa throughout the morning of her wedding day, capturing images in the dressing chamber of Groezinger Estate. Then, the moment arrived that the bride made her final preparations to walk down the aisle.
I was right beside her, offering encouraging words and gushing about just how breathtaking she was in her Vera Wang wedding gown. Just as Alyssa was about to process toward Brett–her handsome groom, who similarly works on Wall Street–she turned to me and smiled, “The wedding gown, it’s yours. I want you to have it after today.”
While Alyssa’s generous impulse was lovely, I knew to take it with a grain of salt–any bride on her wedding day is in a flurry of emotions. The following Monday, we spoke to one another by phone, recapping highlights from her celebration. “I still want you to have my wedding gown,” she said, going on to explain that she considers her gown fine art and has absolutely no interest in storing it in the recesses of her closet for the next 20 years.
“I’ll have to get back to you,” I said. After all, I’m not even engaged! Her generosity was almost too much, but after sleeping on the offer, I realized I would be crazy not to accept.
Thank you so much Alyssa and Catherine for sharing this story. It epitomizes what our celebration of “love month” is all about and I look forward to the moment when Catherine gets engaged and sends us pictures from her wedding in this gorgeous gown. xoxo
Don’t Miss Our Success Secrets | WPPI 2011
From The Studio, Out + About
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Thu 02.10.2011
The WPPI is always a fun week for me – seeing old friends, playing with new toys from awesome companies, judging albums and discovering new artists. This year, it will be especially fun, because I have the chance to learn the secrets of success from other top women photographers!
I am part of an amazing group the WPPI dubbed “top women in professional photography” that will be discussing how we have succeeded in an extremely competitive market. Don’t miss tips, ideas and philosophies from Lindsay Adler, Jules Bianchi and Joy Bianchi Brown, Jessica Claire, Kay Eskridge, Sarah Petty, Dawn Shields and Jasmine Star. And me, of course!
I am so honored to join them and those of you attending to talk about the challenges facing women in photography today as well as how to emerge as notable leaders in our extremely competitive field.
If you see me at the WPPI, please say hi! I’d love to connect with you. My schedule is as follows, but it’s not just all work; I’ll be at many of the fun parties of course!
Saturday and Sunday (Feb. 19 and 20)
9 a.m. to 5 p.m.
Album Judging
Tuesday (Feb. 22)
7 p.m. to 9 p.m.
Women in Contemporary Photography panel discussion
Wednesday (Feb. 23)
1 p.m. to 1.30 p.m.
Leather Craftsmen Booth
Me & David Lynch in Epson Films
From The Studio, Press
1
Thu 02.03.2011

Oh. My. God.
I don’t usually blush like a teenage girl. However, when you’ve been selected by a prestigious international brand to be in a short film alongside icons such as David Lynch, I think you are allowed to feel a little light-headed.
As part of its soon-to-be-released Exhibition Canvas Satin, Epson asked me to talk about my wedding photography and my relationship with its high-quality, premium canvas. The only wedding photographer worldwide to be featured, I was so honored at the recognition of my art and of Catherine Hall Studios.
And yes, I’m beyond thrilled at being showcased with famous artists and photographers, such as Lynch – epic director of Mulholland Drive and The Elephant Man – Greg Gorman, Art Wolfe and Vincent Versace. This is a great milestone for me as a photographer as well as for my San Francisco studio. I am lost for words.
Epson invited us to share our personal experiences with its signature-worthy papers, and everyone had nothing but wonderful praises for the brand that has consistently been a leader in the digital printing world.
Lynch: “The feel of this paper is incredible and the image that pops off is kind of a dream.”
Wolfe: “The overall quality and surface makes many of my prints feel more like paintings.”
In the film, I talked specifically about the Exhibition Canvas Satin, which is built on a polyester and cotton blend that is specially coated to produce vibrant colors as well as rich, deep blacks and tonal gradations. Easily stretched and coated to help achieve the best combination of image quality and archival display life, the heavy 21-mm canvases helped me produce finishing prints that captured the nuances of colors and gradations. This is so important for rendering the full character of my subject.
Epson will release the film very soon! I’m curious to see what you think about me all dolled up ;) Thanks, Dano Steinhardt of Epson for arranging this, and videographer Marc Vanocur and my hair/make-up stylist Armando Sarabia for making me look so good!
You might like to read a related post here.






















